This file is a work of a U.S. Army soldier or employee, taken or made as part of that person's official duties. As a work of the U.S. federal government, it is in the public domain in the United States.
The photo is copied and used in many places which mention the massacre. This particular image was copied from the KryssTal Web Site (which also shows more graphic alternate images).[1]
The Army photographer, Ronald Haeberle, assigned to Charlie Company on March 16th, 1968 had two cameras. One was an Army standard; one was his personal camera. The film on the Army owned camera, i.e., the official camera of the State, showed standard operations that is, 'authorized' and 'official' operations including interrogating villagers and burning 'insurgent' huts. What the film on the personal camera showed, however, was different. When turned over to the press and Government by the photographer, those 'unofficial' photographs provided the grounds for a court martial. Haeberle's personal images (owned by himself and not the US Government) showed hundreds of villagers who had been killed by U.S. troops. More significantly, they showed that the dead were primarily women and children, including infants. These photographs exposed the fact that the 'insurgents' in popular discourse about Vietnam were actually unarmed civilians. The photos made visible to viewers that the 'enemy' in Vietnam was actually the indigenous Vietnamese population.[2]
According to John Morris, the photo editor for The New York Times at the time, Haeberle claimed that the images on his personal camera were his own copyright, but the Times and other publications printed them without payment in the "public interest", and also arguably in the public domain, produced by the U.S. Army:
Haeberle's pictures were arguably government property ... I guessed that Life was unlikely to pay more than $25,000 (in fact, it paid $20,000) ... In late morning, we received word that London papers, copying the photos from The Plain Dealer, were going ahead without payment, ignoring the copyright. The New York Post followed, in its early afternoon edition. Rosenthal decreed that it would now be ridiculous for The Times to pay. We would publish "as a matter of public interest.[3]
↑Camilla Benolirao Griggers, "War and the Politics of Perception," chapter 1 from the essay Visualizing War, taken from http://www.planznow.com/texto4.html
↑Pg 36 - Morris, John G. (Summer 1998). "Get the Picture: A Personal History of Photojournalism". The Nieman Foundation for Journalismvol. 52 (no. 2): 32-38. Bill Kovach. ISSN0028-9817. Retrieved on April 17, 2010.
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Delo je v javni domeni, saj je bilo brez oznake avtorskega dela prvič objavljeno v Združenih državah Amerike med letoma 1929 in 1977. Razen če je od avtorjeve smrti preteklo že več let, je to delo v jurisdikcijah, ki za ameriška dela ne upoštevajo pravila krajšega trajanja, avtorsko varovano; npr. v Kanadi (50 let p. s. a.), celinski Kitajski (50 let p. s. a.; ne velja za Hong Kong in Makav), Nemčiji (70 let p. s. a.), Mehiki (100 let p. s. a.), Švici (70 let p. s. a.) in drugih državah z individualnimi pogodbami. Podrobnejša razlaga je dostopna na tej strani (v angleščini).
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Lei de1940 | 1969 Artigo 5° do Inciso XLVII do código Penal Federativo Forense Nacional Brasileiro aplica-se disposto em função primária governamental explícita atribuída. Prof.Dr.Msd.pHd. Ricardo Alessandro Moura Brasil. verdædė, verdade.
Datoteka vsebuje še druge podatke, ki jih je verjetno dodal za njeno ustvaritev oziroma digitalizacijo uporabljeni fotografski aparat ali optični bralnik. Če je bila datoteka pozneje spremenjena, podatki sprememb morda ne izražajo popolnoma.